According to Anelli, they are still deliberating whether to build an annex for this purpose. Lina Bo Bardi (December 4, 1914 – March 20, 1992) was one of the most important and expressive architects of 20th century Brazilian architecture. Lina Bo Bardi: Habitat This exhibition addresses the life, work, and legacy of the Italian-Brazilian architect, designer, curator, editor, set designer, and influential thinker Lina Bo Bardi (1914–1992). Casa de Vidro, particularly, exemplifies the Bo Bardi couple’s keen regard for preservation through their efforts that led, while they were still alive in their later years, to cultural heritage listing (1987) and the creation of the non-profit cultural association Instituto Bardi (1990), with headquarters inside the house itself. The Bardis brought their extensive library and art collection with them from Italy, and once in Brazil, they continued to amass objects, particularly popular art from the northeastern state of Bahia, where Lina Bo Bardi lived and worked for a few years as the director of the Museum of Modern Art. (photo by Letícia Wouk Almino), The various figurines in Lina Bo Bardi’s living room (2010) (photo by Letícia Wouk Almino). Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York. As such, the paintings appear to float weightlessly, much like her home. See more ideas about Glass house, Design, Interior. The back facade, white stucco finished with emerald shutters, appears to be pulled from an entirely different home. From this end of the house, its architecture has lost any resemblance to glassy modernism and mimics Brazilian colonial architecture with its handmade shutters. courtesy of the instituto lina bo e p. m. bardi. Lina Bo Bardi’s radical approach to the design of people-friendly buildings in Brazil is a major contribution to modern architecture, Jason Farago argues. Part of the joy in visiting an artist’s home is in seeing how their vision manifested in the everyday. Visits to Lina Bo Bardi’s Casa de Vidro (Glass House) (Rua General Almério de Moura, 200, São Paulo, Brazil) are by appointment only. Follow her on Twitter and Instagram. Lina Bo Bardi’s living room in 2010 (detail) (photo by Letícia Wouk Almino). See more ideas about modernist architects, glass house, architecture. The house, in fact, was a famous gathering place for artists and intellectuals, both local and international — among them were Alexander Calder, John Cage, and Roberto Rossellini. In Salvador, Bo Bardi resisted gentrifying the historic centre into a 'Disneyfied' tourist zone. As arts communities around the world experience a time of challenge and change, accessible, independent reporting on these developments is more important than ever. Dec 12, 2015 - Explore Toni Walker's board "Lina Bo Bardi" on Pinterest. It was also Bo Bardi and her husband’s home for some four decades. Her style evolved over time, moving away from modernism into the realm of the organic later in her career. Completed in 1950 by Brazilian modernist architect Lina Bo Bardi, Casa de Vidro in Sao Paulo is considered a modern architecture in Brazil. Bo Bardi maintained the topography of the area, and built the house on slim pilotis, which are blue and elegant, elevating the house and extending through the interior of the glass home. When Bo Bardi built her house, in 1950, it was practically the only one; armadillo and wild cats still roamed the grounds. Built in 1951, the house is recognized as one of the Italian architect’s most notable works, and a pivotal contribution to the golden age of Brazilian Modernism. In an essay about the house three years after building it, she writes: This residence represents an attempt to arrive at a communion between nature and the natural order of things; I look to respect this natural order, with clarity, and never liked the closed house that turns away from the thunderstorm and the rain, fearful of all men. In 1950s Brazil, this type of tile was commonly used on the facades of buildings, but to install them on the floor, as Bo Bardi did, was unprecedented. But her architecture feels less cool and removed than that of her male peers; the roof subtly curves, and the rooms welcome and adapt to the body. Bo Bardi loved to cook, especially Brazilian dishes, like moqueca (a typical northeastern fish stew) and carne de sol (dried, salted meat). The entire house, Carmona Tozzi says, is exemplary of Bo Bardi’s inventive use of materials. To visit is to become fully immersed in Bo Bardi’s exquisite taste and rational, innovative approach to design. And while we can no longer see a faithful representation of what the interior rooms of Bo Bardi’s house once were, at least through a few photographs and what remains, we can imagine the person behind the glass. “When they moved here, there was nothing,” says Lissa Carmona Tozzi, owner of. (Later, Bo Bardi would design MASP’s second, current home.) The front door gives way to the main room, an open space where the couple would host the city’s artists, politicians, and intellectuals. It was hard to picture this when I visited, passing by the tall gated homes that are shielded from the surrounding slums — a sadly typical scenario in Brazil’s largest cities. Fernanda Gomes Creates a Surreal Domestic Space With Her Abstractions, When Latin American Art Took a “Decolonial Turn”, 119 Human Skulls Unearthed in 15th-century Aztec Shrine, Danny Lyon’s Visions of a New York That No Longer Exists, The Unsettling Story of a Creative Commons Photo Scam, The 20 Most Powerless People in the Art World: 2020 Edition, Smithsonian American Women’s History Initiative Announces a Women’s Film and Video Series, National Portrait Gallery Presents a Conversation With Artists Antonius-Tín Bui and David Antonio Cruz, SVA’s Spring 2021 Continuing Education Courses Begin January 25, Proudly powered by Newspack by Automattic. Photo by Henrique Luz. Lina and Pietro Maria Bardi create and run the Industrial Design Course at the Institute of Contemporary Art (IAC). While the house, which was most recently conserved in 1993, is in decent condition, glass does occasionally break and the stone annexes and walls have cracked. 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