Each of the twelve trips resulted in a major exhibition of Rauschenberg's works inspired by the host country. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. He worked until his death on May 12, 2008, from heart failure. [30] To Rauschenberg's surprise, a number of the works sold; many that did not he threw into the river Arno, following the suggestion of an art critic who reviewed his show.[31][32]. “Ballet: Brides and Turtles in Dance Program.” New York Times, May 13, 1965, p. 33. Rauschenberg applied matte and glossy black paint to textured grounds of newspaper on canvas, occasionally allowing the newspaper to remain visible. (1976). [36] The silkscreen paintings made between 1962 and 1964 led critics to identify Rauschenberg's work with Pop art. In 1977 Rauschenberg, Cunningham, and Cage reconnected as collaborators for the first time in thirteen years to create Travelogue (1977), for which Rauschenberg contributed the costume and set designs. In 1970, he co-founded Change, Inc., which helped struggling artists pay their medical bills. Cage provided Rauschenberg with much-needed support and encouragement during the early years of his career, and the two remained friends and artistic collaborators for decades to follow. She made the family's clothes from scraps, a practice that embarrassed her son, but possibly influenced his later work with collage and assemblage. Glueck, Grace. Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. [28] He saw the potential beauty in almost anything; he once said, "I really feel sorry for people who think things like soap dishes or mirrors or Coke bottles are ugly, because they're surrounded by things like that all day long, and it must make them miserable. [37][38], In 1969, NASA invited Rauschenberg to witness the launch of Apollo 11. Refusing to kill on the battlefield, he was assigned as a medical technician in the Navy Hospital Corps and stationed at a hospital caring for combat survivors in San Diego. Rauschenberg suffered a series of medical mishaps beginning in 2001, first breaking his hip, which led to an intestinal perforation and then a stroke in 2002 that paralyzed his right side. [20], Rauschenberg married Susan Weil in the summer of 1950 at the Weil family home in Outer Island, Connecticut. While in Paris, Rauschenberg met fellow American student Susan Weil, and the two became inseparable friends. The first works he created in his new studio were Cardboards (1971–72) and Early Egyptians (1973–74), for which he relied on locally sourced materials such as cardboard and sand. Rauschenberg won the Commandant de l'Ordre des Lettres from the French government in 1992, followed by the National Medal of the Arts in 1993. [15], From 1949 to 1952 Rauschenberg studied with Vaclav Vytlacil and Morris Kantor at the Art Students League of New York,[19] where he met fellow artists Knox Martin and Cy Twombly. Often described as the first postmodern artist, Robert Rauschenberg was a protean innovator whose work in painting, photography, sculpture, performance, and printmaking helped establish the ongoing concerns of contemporary art. The eclectic works of art with deep meditations on art and life are a wonderful addition to a collection. His parents were Fundamentalist Christians. Biography. 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